{"id":343,"date":"2025-08-21T11:50:56","date_gmt":"2025-08-21T11:50:56","guid":{"rendered":"http:\/\/139.91.186.131:8081\/?page_id=343"},"modified":"2025-10-29T10:54:53","modified_gmt":"2025-10-29T10:54:53","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/anogeiamusicdance.gr\/en\/bibliografia\/","title":{"rendered":"Bibliography"},"content":{"rendered":"\n
    \n
  1. \u0391\u03b5\u03c1\u03ac\u03ba\u03b7\u03c2, \u03a3\u03c4\u03ad\u03bb\u03b9\u03bf\u03c2. 1994. O\u03b9 \u03a0\u03c1\u03c9\u03c4\u03bf\u03bc\u03ac\u03c3\u03c4\u03bf\u03c1\u03b5\u03c2 \u03c4\u03b7\u03c2 \u03ba\u03c1\u03b7\u03c4\u03b9\u03ba\u03ae\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 \u03c0\u03b1\u03c1\u03ac\u03b4\u03bf\u03c3\u03b7\u03c2 (1920-1955). \u039a\u03b1\u03c3\u03b5\u03c4\u03af\u03bd\u03b1 10 CD & \u03a0\u03bf\u03bb\u03c5\u03c3\u03ad\u03bb\u03b9\u03b4\u03bf \u03b2\u03b9\u03b2\u03bb\u03af\u03bf \u03c3\u03b5 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae & \u0391\u03b3\u03b3\u03bb\u03b9\u03ba\u03ae \u03b3\u03bb\u03ce\u03c3\u03c3\u03b1. \u0391\u03b5\u03c1\u03ac\u03ba\u03b7\u03c2 \u2013 \u039a\u03c1\u03b7\u03c4\u03b9\u03ba\u03cc \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc \u0395\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9 & \u03a3\u03b5\u03af\u03c3\u03c4\u03c1\u03bf\u03bd.<\/span><\/li>\n\n\n\n
  2. \u0391\u03bb\u03b9\u03b3\u03b9\u03b6\u03ac\u03ba\u03b7\u03c2, \u0391\u03b3\u03b7\u03c3\u03af\u03bb\u03b1\u03bf\u03c2. 2005. \u039a\u03c1\u03b7\u03c4\u03b9\u03ba\u03cc\u03c2 \u03c7\u03bf\u03c1\u03cc\u03c2: \u03a4\u03ad\u03c7\u03bd\u03b7 & \u03c6\u03c5\u03c3\u03b9\u03ba\u03ae \u03ac\u03c3\u03ba\u03b7\u03c3\u03b7. \u0391\u03b5\u03c1\u03ac\u03ba\u03b7\u03c2 \u2013 \u039a\u03c1\u03b7\u03c4\u03b9\u03ba\u03cc \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc \u0395\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9 & \u03a3\u03b5\u03af\u03c3\u03c4\u03c1\u03bf\u03bd.<\/span><\/li>\n\n\n\n
  3. Baud-Bovy, Samuel, \u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03b7\u03bd \u0391\u03b3\u03bb\u03b1\u03ca\u03b1 \u0391\u03b3\u03b9\u03bf\u03c5\u03c4\u03ac\u03bd\u03c4\u03b7 \u03ba\u03b1\u03b9 \u03c4\u03b7 \u0394\u03ad\u03c3\u03c0\u03bf\u03b9\u03bd\u03b1 \u039c\u03b1\u03b6\u03b1\u03c1\u03ac\u03ba\u03b7 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1 \u039b\u03ac\u03bc\u03c0\u03c1\u03bf\u03c5 \u039b\u03b9\u03ac\u03b2\u03b1. 2006. \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03ba\u03b1\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u03c3\u03c4\u03b7\u03bd \u039a\u03c1\u03ae\u03c4\u03b7 1953-1954. \u039a\u03ad\u03bd\u03c4\u03c1\u03bf \u039c\u03b9\u03ba\u03c1\u03b1\u03c3\u03b9\u03b1\u03c4\u03b9\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd.<\/span><\/li>\n\n\n\n
  4. \u0393\u03b1\u03bb\u03b1\u03c1\u03b9\u03ce\u03c4\u03b7, \u03a3\u03bf\u03c6\u03af\u03b1 (\u03b5\u03c0\u03b9\u03bc.). 2009. \u039f \u03ba\u03b1\u03c4\u03b1\u03c3\u03c4\u03b1\u03c3\u03b9\u03b1\u03ba\u03cc\u03c2 \u03a7\u03b1\u03c4\u03b6\u03b9\u03b4\u03ac\u03ba\u03b9\u03c2: \u0391\u03bd\u03ce\u03b3\u03b5\u03b9\u03b1 1979-\u03a3\u03c5\u03bd\u03ac\u03bd\u03c4\u03b7\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03b4\u03b9\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b7 \u03c3\u03b7\u03bc\u03b1\u03c3\u03af\u03b1 \u03bc\u03b9\u03b1\u03c2 \u03bb\u03b1\u03ca\u03ba\u03ae\u03c2 \u03c0\u03b1\u03c1\u03ac\u03b4\u03bf\u03c3\u03b7\u03c2 \u03c3\u03c4\u03bf\u03bd \u03ba\u03b1\u03b9\u03c1\u03cc \u03bc\u03b1\u03c2. Yafka Records.<\/span><\/li>\n\n\n\n
  5. Dawe, Kevin. 2007. Music and Musicians in Crete: Performance and Ethnography in a Mediterranean Island Society. Lanham, MA: Scarecrow Press.<\/span><\/li>\n\n\n\n
  6. Hagleitner, Michael and Holzapfel, Andre (eds.). 2017. Music on Crete: Traditions of a Mediterranean island. Vienna Series in Ethnomusicology, \u0391\u03b5\u03c1\u03ac\u03ba\u03b7\u03c2 \u2013 \u039a\u03c1\u03b7\u03c4\u03b9\u03ba\u03cc \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc \u0395\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9 & \u03a3\u03b5\u03af\u03c3\u03c4\u03c1\u03bf\u03bd.<\/span><\/li>\n\n\n\n
  7. Herzfeld, Michael. 1985. The Poetics of Manhood: Contest and Identity in a Cretan Mountain Village. Princeton, NJ: Princeton University Press.<\/span><\/li>\n\n\n\n
  8. \u039a\u03b1\u03b2\u03b1\u03ba\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2, \u03a0\u03b1\u03bd\u03c4\u03b5\u03bb\u03ae\u03c2. 2018. \u03a4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9, \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae & \u03c7\u03bf\u03c1\u03cc\u03c2 \u03c3\u03c4\u03b7\u03bd \u039a\u03c1\u03ae\u03c4\u03b7. \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u0388\u03c1\u03b5\u03c5\u03bd\u03b1\u03c2 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 & \u0391\u03ba\u03bf\u03c5\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 (\u0399\u0395\u039c\u0391).<\/span><\/li>\n\n\n\n
  9. \u039a\u03b1\u03bb\u03bf\u03ba\u03cd\u03c1\u03b7\u03c2, \u039c\u03b1\u03bd\u03ce\u03bb\u03b7\u03c2. \u0391\u03bd\u03ce\u03b3\u03b5\u03b9\u03b1 \u039c\u03c5\u03bb\u03bf\u03c0\u03bf\u03c4\u03ac\u03bc\u03bf\u03c5-\u03a1\u03b5\u03b8\u03cd\u03bc\u03bd\u03b7\u03c2: \u039b\u03b1\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ae \u03a3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ae. \u0397\u03c1\u03ac\u03ba\u03bb\u03b5\u03b9\u03bf 1970.<\/span><\/li>\n\n\n\n
  10. Kaloyanides, Michael. 1975. The Study of Cretan Dances: A Study of the Musical Structures of Cretan Dance Forms as Performed in the Heraklion Province of Crete. Unpublished PhD thesis, Wesleyan University.<\/span><\/li>\n\n\n\n
  11. \u039a\u03bf\u03c0\u03b1\u03bd\u03b9\u03c4\u03c3\u03ac\u03bd\u03bf\u03c2, \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c2 \u03ba\u03b1\u03b9 \u039a\u03bf\u03c5\u03c1\u03bf\u03cd\u03c3\u03b7\u03c2 \u03a3\u03c4\u03b1\u03cd\u03c1\u03bf\u03c2 (\u03b5\u03c0\u03b9\u03bc.). 2016. \u039c\u03af\u03bb\u03b9\u03b5 \u03bc\u03bf\u03c5 \u039a\u03c1\u03ae\u03c4\u03b7 \u03b1\u03c0\u2019 \u03c4\u03b1 \u03c0\u03b1\u03bb\u03b9\u03ac: \u0399\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03b5\u03c2 \u03b7\u03c7\u03bf\u03b3\u03c1\u03b1\u03c6\u03ae\u03c3\u03b5\u03b9\u03c2 1907-1955. \u03a0\u03b5\u03c1\u03b9\u03ad\u03c7\u03b5\u03b9 8 CDs. Orpheum Phonograph.<\/span><\/li>\n\n\n\n
  12. Makreas, Mary E. 1979. Cretan Dance: The Meaning of Kefi and Fighoures. M.A. thesis, Indiana University, Bloomington.<\/span><\/li>\n\n\n\n
  13. Notopoulos, James. 1955. Folk Music of Greece. Folkways Records.<\/span><\/li>\n\n\n\n
  14. Notopoulos, James. 1959. Modern Greek Heroic Oral Poetry. Folkways Records.<\/span><\/li>\n\n\n\n
  15. \u03a3\u03bc\u03c0\u03ce\u03ba\u03bf\u03c2, \u0393\u03b5\u03ce\u03c1\u03b3\u03b9\u03bf\u03c2. 1992. \u0391\u03bd\u03ce\u03b3\u03b5\u03b9\u03b1: \u0397 \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03bc\u03ad\u03c3\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b1 \u03a4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9\u03b1 \u03c4\u03bf\u03c5\u03c2.<\/span><\/li>\n\n\n\n
  16. \u03a3\u03bc\u03c0\u03ce\u03ba\u03bf\u03c2, \u0393\u03b5\u03ce\u03c1\u03b3\u03b9\u03bf\u03c2. 2005. \u039f \u0391\u03bd\u03c9\u03b3\u03b5\u03b9\u03b1\u03bd\u03cc\u03c2: \u0391\u03c0\u03cc\u03b3\u03bf\u03bd\u03bf\u03c2 \u03c4\u03c9\u03bd \u039a\u03bf\u03c5\u03c1\u03b7\u03c4\u03ce\u03bd \u03ba\u03b1\u03b9 \u0399\u03b4\u03b1\u03af\u03c9\u03bd \u0394\u03b1\u03ba\u03c4\u03cd\u03bb\u03c9\u03bd : \u039f\u03b9 \u03c1\u03af\u03b6\u03b5\u03c2 \u03c4\u03bf\u03c5, \u03b7 \u03b4\u03b9\u03b1\u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ae \u03c4\u03bf\u03c5 \u03c0\u03bf\u03c1\u03b5\u03af\u03b1 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03b9\u03b4\u03b9\u03b1\u03b9\u03c4\u03b5\u03c1\u03cc\u03c4\u03b7\u03c4\u03ad\u03c2 \u03c4\u03bf\u03c5.<\/span><\/li>\n\n\n\n
  17. \u03a3\u03bc\u03c0\u03ce\u03ba\u03bf\u03c2, \u0393\u03b5\u03ce\u03c1\u03b3\u03b9\u03bf\u03c2. 2005. \u0397 \u0391\u03bd\u03c9\u03b3\u03b5\u03b9\u03b1\u03bd\u03ae \u039c\u03b1\u03bd\u03c4\u03b9\u03bd\u03ac\u03b4\u03b1.<\/span><\/li>\n\n\n\n
  18. \u03a3\u03bc\u03c0\u03ce\u03ba\u03bf\u03c2, \u0393\u03b5\u03ce\u03c1\u03b3\u03b9\u03bf\u03c2. 2005. \u03a4\u03bf \u0393\u03bb\u03c9\u03c3\u03c3\u03b9\u03ba\u03cc \u0399\u03b4\u03af\u03c9\u03bc\u03b1 \u03c4\u03c9\u03bd \u0391\u03bd\u03c9\u03b3\u03b5\u03af\u03c9\u03bd.<\/span><\/li>\n\n\n\n
  19. \u03a3\u03bc\u03c0\u03ce\u03ba\u03bf\u03c2, \u0393\u03b5\u03ce\u03c1\u03b3\u03b9\u03bf\u03c2. 2006. \u03a3\u03c4\u03bf\u03b9\u03c7\u03b5\u03af\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03c5\u03bb\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c0\u03bd\u03b5\u03c5\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03b6\u03c9\u03ae \u03c4\u03c9\u03bd \u0391\u03bd\u03c9\u03b3\u03b5\u03b9\u03b1\u03bd\u03ce\u03bd.<\/span><\/li>\n\n\n\n
  20. \u03a3\u03bc\u03c0\u03ce\u03ba\u03bf\u03c2, \u0393\u03b5\u03ce\u03c1\u03b3\u03b9\u03bf\u03c2. 2006. \u0397 \u03b3\u03ad\u03bd\u03bd\u03b7\u03c3\u03b7, \u03bf\u03b9 \u03c7\u03b1\u03c1\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03bf \u03b8\u03ac\u03bd\u03b1\u03c4\u03bf\u03c2 \u03c4\u03bf\u03c5 \u0391\u03bd\u03c9\u03b3\u03b5\u03b9\u03b1\u03bd\u03bf\u03cd.<\/span><\/li>\n\n\n\n
  21. Syk\u00e4ri, Venla. 2011. Words as Events: Cretan Mantin\u00e1des in Performance and Composition. Studia Fennica Folkloristica 18; Helsinki: Finnish Literature Society.<\/span><\/li>\n\n\n\n
  22. \u03a7\u03b1\u03c4\u03b6\u03b7\u03b4\u03ac\u03ba\u03b9\u03c2, \u0393\u03b5\u03ce\u03c1\u03b3\u03b9\u03bf\u03c2. 1958. \u039a\u03c1\u03b7\u03c4\u03b9\u03ba\u03ae \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae: \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1, \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac \u03c3\u03c5\u03c3\u03c4\u03ae\u03bc\u03b1\u03c4\u03b1, \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9\u03b1 \u03ba\u03b1\u03b9 \u03c7\u03bf\u03c1\u03bf\u03af. \u039a\u03bf\u03c5\u03bb\u03c4\u03bf\u03cd\u03c1\u03b1.<\/span><\/li>\n\n\n\n
  23. \u03a7\u03bd\u03b1\u03c1\u03ac\u03ba\u03b7, \u039c\u03b1\u03c1\u03af\u03b1. 2007. Cretan Music: Unraveling Ariadne\u2019s Thread. Kerkyra Publications, 2007.<\/span><\/li>\n\n\n\n
  24. \u03a7\u03bd\u03b1\u03c1\u03ac\u03ba\u03b7, \u039c\u03b1\u03c1\u03af\u03b1. 2004. \u00ab\u2018\u0396\u03b5\u03b9 \u03bf \u03b2\u03b1\u03c3\u03b9\u03bb\u03b9\u03ac\u03c2 \u0394\u03af\u03b1\u03c2;\u2019 \u03a7\u03bf\u03c1\u03b5\u03c5\u03c4\u03b9\u03ba\u03ad\u03c2 \u03bc\u03c5\u03b8\u03bf\u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03bb\u03bf\u03b3\u03af\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u03bf\u03c1\u03b5\u03b9\u03bd\u03ae \u039a\u03c1\u03ae\u03c4\u03b7. \u0391\u03c1\u03c7\u03b1\u03b9\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a4\u03ad\u03c7\u03bd\u03b5\u03c2 92: 68-75.<\/span><\/li>\n\n\n\n
  25. \u03a7\u03bd\u03b1\u03c1\u03ac\u03ba\u03b7, \u039c\u03b1\u03c1\u03af\u03b1. 2013. Sing in Me Muse, and Through Me Tell the Story: Greek Culture Performed. Zorba Press, 2013.<\/span><\/li>\n\n\n\n
  26. \u03a7\u03bd\u03b1\u03c1\u03ac\u03ba\u03b7, \u039c\u03b1\u03c1\u03af\u03b1. 2015. \u201cA Family Affair\u201d, Lesson Plan on the Film <\/span><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-343","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nBibliography - \u039a\u03ad\u03bd\u03c4\u03c1\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03c7\u03bf\u03c1\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u03c3\u03c4\u03b1 \u0391\u03bd\u03ce\u03b3\u03b5\u03b9\u03b1<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/anogeiamusicdance.gr\/en\/bibliografia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliography - 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